OIL PAINTINGS, WATERCOLOURS, DRAWINGS AND ? OIL PAINTINGS, WATERCOLOURS, DRAWINGS AND MINIATURES Commencing

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  • FIRST DAYS SALE

    TUESDAY 14th JUlY 2015

    OIL PAINTINGS, WATERCOLOURS,

    DRAWINGS AND MINIATURES

    Commencing not before 2.30pm

    Pictures will be on view on:

    Friday 10th July 9.00am to 5.15pm

    Saturday 11th July 9.00am to 1.00pm

    Sunday 12th July 2.00pm to 4.00pm

    Monday 13th July 9.00am to 5.15pm

    Limited viewing on sale day

    Enquiries: Daniel Goddard

    Tel: 01392 413100

    Email: goddardd@bhandl.co.uk

    Enquiries: Martin Scadgell

    Tel: 01392 413100

    Email: scadgellm@bhandl.co.uk

  • 66

    261Attributed to Michelangelo Maestri [19th Century Italian]Ora Nottebodycolour and watercolour possibly over an engraved base37 x 31cm overall

    400 - 600

    262Attributed to Michelangelo Maestri [19th Century Italian]Apollo with a Musebodycolour and watercolour possibly over an engraved base37 x 31cm overall

    500 - 700

    263Attributed to Michelangelo Maestri [19th Century Italian]Classical figure with laurel branch and orbbodycolour and watercolour possibly over an engraved base37 x 26cm overall

    300 - 500

    263 262

    261

  • 67

    264Circle of Michelangelo Maestri [18/19th Century Italian]Grecian women with young Cupid attendants, after The Antiquegouache30 x 41cm.

    400 - 600

    265Attributed to Michelangelo Maestri [19th Century Italian]Nymphstwo, bodycolour and watercolour possibly over an engraved baseeach 37 x 26cm overall [2]

    500 - 700

    264

  • 68

    266German School 19th CenturyMiniature portrait of a young man, head and shoulders, with curling fair hair, wearing a brown overcoat with fur collar and leather gloveson ivory, oval 9cm.

    70 - 100267English School mid 19th Century Miniature portrait of a gentleman, head and shoulders with short grey hair, wearing a black coat and a brown spotty neck tieoval, 7cm, in a moulded ebonised wood frame.

    100 - 150268European School 19th CenturyMiniature portrait of an elder, head and shoulders with long grey beard, wearing a green beret and red coat, on copper, oval 6.2cm, together with a similar miniature of a young lady wearing a white feather hat. [2]

    80 - 120

    269German School 19th CenturyMiniature portrait of a young man, head and shoulders, with short dark wavy hair, wearing a black coat with blue waistcoat and black bow tie; together with a miniature portrait of a ladya pair, on ivory, ovals each 7.2cm. [2]

    200 - 300270German School mid 19th CenturyA tortoiseshell and horn snuff box, the lid inset with a miniature portrait of a lady, bust-length, with long dark hair plaited and tied high, wearing drop earrings and a black dress with lace collarindistinctly signed bottom right, on ivory, oval miniature 5.3cm, the box 9.5cm.

    80 - 120270

    269

    268

    267

    266

  • 69

    272Attributed to Giovanni Migliara [1785-1837]Service in a chapel interiorreverse glass miniature8cm diameter.

    800 - 1200273. No Lot.

    270

    271Circle of George Chinnery [1774-1852] Miniature portrait of Sir William Pennyman Bart, circa 1815head and shoulders wearing a brown jacket and white linen cravatoval, 5.6cm, in an inscribed gold frame and red leather case.

    500 - 700

  • 70

    274 Mike Gorman [Contemporary]Comediansigned, inscribed and dated 92 on the reverseoil on board48 x 38cm cm.

    200 - 300275 Mike Gorman [Contemporary]Jestersigned, inscribed and dated 95 on the reverseoil on canvas43 x 32cm.

    200 - 300276 Paul Hedley [20th Century]Judith, a lady recumbent on a sofasigned bottom rightbodycolour25.5 x 35cm

    100 - 200Biography. Paul Hedley was born in 1947. He attended the Medway School of Art and Manchester College of Art. His ability is to describe the figurative form in exciting and colourful compositions. He exhibits at the R.S.B.A., the R.O.I., and The New England Art Club.

    277london School 20th CenturyClub Night, an interior with figuresoil on canvas50.5 x 60.5cm.

    200 - 300

    277

    276

    275 274

  • 71

    278Edith Sprague [fl.1883-1933]Summer flowers in a Bohemian glass gobletsigned and dated 1890 bottom leftoil on canvas44.5 x 33.5cm

    1200 - 1800

    279 Ruskin Spear [1911-1990]Portrait of a lady, half-length, seated in an interior with short bobbed hair, wearing a colourful Summer dresssigned and inscribed Ruskin Spear, 20 Rivercourt on a label attached to the reverseoil on board95.5 x 67cm.

    500 - 700Provenance. The artists studio sale. Christies South Kensington, 27 November 1997, lot 117.

    280. No Lot.

  • 72

    281 Robert van Cleef [b.1914] Brunette with red ribbonsignedoil on canvas34 x 26cm

    150 - 250282 Robert van Cleef [b.1914] Blonde with hair tied highsignedoil on canvas34 x 26cm

    150 - 250

    283 Robert van Cleef [b.1914]The Flower Arrangementsignedoil on canvas63 x 52cm.

    200 - 300

    283A

    283

    282 281

    283AFrench School 20th CenturyReflectionsindistinctly signed bottom right L...A...Toil on canvas69 x 99cm.

    500 - 700

  • 73

    284 David Cheepen [b.1946]Thomas in The Citysigned and dated 28.8.1981oil on board11.5 x 11.5cm.

    200 - 300

    285 James Boswell [b.1906]Angry Catsigned and dated 56 bottom rightcoloured wax crayon drawing52.5 x 40.5cm

    250 - 350

  • 74

    286 Sir Terry Frost [1915-2003]Spirals [2003]screen print and collage signed and numbered 109/125 in pencil in the bottom marginsight size 43 x 55cm.

    600 - 800287 After Joan Miro [1893-1983]Maravillas con Variaciones Acrosticas en el Jardin de Miro (XVI)plate-signed lithograph from the edition of 1500sheet size 50 x 36cm.

    200 - 300288 After Joan Miro [1893-1983]Maravillas con Variaciones Acrosticas en el Jardin de Miro (VIII)plate-signed lithograph from the edition of 1500sheet size 50 x 36cm.

    200 - 300289 Georges Csato [1910-1983 Hungarian]Untitled compositionscreenprintsigned in pencil bottom rightinscribed and numbered E.A. XXIV/XXV bottom leftsheet size 52 x 68cm.

    80 - 120

    289

    288 287

    286

    291

  • 75

    290 John Plumb [1927-2008]Untitled [a version of Lemon Drop 1992, sold in these rooms 28 October 2014, Lot 231]signed on the reverseacrylic on linen canvas181 x 240cm.

    1000 - 1500

    291 John Plumb [1927-2008]Untitledsigned and dated 2001 on the reverseacrylic and aerosol on linen canvas120 x 120cm.

    1000 - 1500

    290

    291

    Biography. Plumb was born in Luton and studied at the Byan Shaw School and The Central School of Art & Design. His teachers included Victor Pasmore, Keith Vaughan and William Turnbull. Plumb was an abstract painter, and considered Jackson Pollock the greatest abstract painter [Studio Magazine, December 1963, interview with Mervyn Levy]. Regularly using vinyl, cloth and electrical tape in his pictures, in the late 1970s he moved to more figurative painting, alongside his continued pursuit of abstract expression. By the late 1960s he had exhibited widely and taught in America before returning to the Central College to teach. The Tate Gallery holds his work.

  • 76

    292 Dame Elizabeth Frink [1930-1993]Chanticleer and The Fox;Chanticleer and The Pertelote two soft ground etchings each signed and number 15/70sheet sizes 40 x 59cm each. (2).

    250 - 350

    293 Dame Elizabeth Frink [1930-1993]The Reeves Talesoft ground etchingsigned, inscribed and numbered 7/70sheet size 40 x 59cm.

    200 - 300294 Leslie Charles Worth [1923-2009]A misty daysigned and dated 79watercolour26.5 x 35.5cm

    100 - 150295 Anthony Gross [1905-1984]La Soupe, interior with a woman seated in a parlouretching, signed and dated 1925 in pencil bottom rightinscribed with title bottom leftimages 21.5 x 31.5cm.

    200 - 300

    295 294

    293

    292

  • 77

    296 Anita Klein [b.1960]School Holiday Swimsigned with initials and dated 93 bottom rightcharcoal and wash on paper73 x 55cm.

    200 - 300Provenance. Contemporary Art Society, 1993.

    297 David Blackburn [b.1939]Trees with Path and Stonessigned and dated 1985 on the mount bottom rightfurther signed, inscribed and dated on a label attached to the backboardpastel drawing59.5 x 50.5cm.

    150 - 250

    298 Hussein Shariffe [1934-2005]Headsigned and dated Shariffe 87 bottom rightoil on canvas49 x 60cm.

    400 - 600

  • 78

    299For Sandersons Centenary [1960s] after a design by John Piper [1903-1992]Northern Cathedralscreen print on fabric49 x 118cm.

    200 - 300

    Arthur Sanderson & Sons Ltd, now known as Sandersons.The company was founded in 1860 in Islington, London by Arthur Sanderson (1829-1882) who began by importing French wallpapers. Sanderson established a factory of his own in Chiswick in 1879 which was destroyed in a fire in 1928.After Arthur Sandersons death, the business was taken over by his three sons, John, Arthur Bengough and Harold. In 1919 Sanderson & Sons opened a new factory in Uxbridge to manufacture fabrics and in 1924 Arthur Bengough Sanderson received a Royal Warrant as Purveyor of Wallpapers & Paints to George V.

    300For Sandersons Centenary [1960s] after a design by John Piper [1903-1992] a pair of Arundel design curtainsscreen printed on fabric, each approx 122 x 206cm

    300 - 500

    301For Sandersons Centenary [1960s] after a design by John Piper [1903-1992] a pair of Stones of Bath design curtains, screen printed on fabric, each approx 240 x 230cm

    300 - 500

    detail detail

  • 79

    302 John Piper [1903-1992]Study for Holkham Gatesigned and dated 76watercolour and bodycolour36 x 38cm.

    The Triumphal Arch, on the southern edge of the 3000 acre park at Holkham Hall, Norfolk, was designed by William Kent in 1739 and completed in 1752 for Thomas Coke, 1st Earl of Leicester [1697-1759].

    1500 - 2500303. No Lot.

  • 80

    304N Giordani [Italian 19/20th century]Figures in a sunlit and shady back streetsignedoil on canvas51.5 x 75cm.

    600 - 900

    305 Ben Maile [b 1922]Admiralty Arch, Londonsigned bottom leftoil on canvas91 x 137cm.

    2500 - 3500

    Biography. Born in Northhamptonshire, his family moved to London in 1936 when Ben was fourteen. He joined the RAF, becoming a wireless operator in Bomber Command. He moved to Newquay shortly after 1945 and, self-taught, began painting and exhibiting throughout the West Country. His work was popularised through coloured reproduction prints. Over time his reputation grew and by 1989 he had an agent in the USA. He continues painting today and spends his time between his Turkish home and the West Country.

    306. No Lot.

  • 81

    307 Pierre Bittar [b.1934]Avenue a Croissy, Automnesigned bottom rightoil on canvas99 x 80cm.

    1500 - 2000Exhibited. 35th Jersey Exhibition of Fine Paintings 1992 with Mandells Gallery of Jersey.

    Illustrated. Front cover of the 35th Jersey Exhibition of Fine Paintings 1992 catalogue.

    Biography. Pierre Bittar was born in France in 1934. His father was a musician and his mother a descendant of the House of Savoie. As a child his parents encouraged him to draw and colour and from the 1940s he visited museums and painted, studying techniques of the great masters. Among his most influential artists were Rembrandt, the Impressionist painters and Monet in particular. He continued his studies at the Academie Leonard de Vinci until 1956. He painted plein-air in the company of his professor and began to paint portraits using himself and his mother as subjects. In 1963 he had the first of many international exhibitions at the Potterat Gallery in Lausanne, Switzerland.

    308 Mike Gorman [Contemporary]Garden of Earthly Delightssigned, inscribed and dated 91 on the reverseoil on canvas73 x 88cm.

    500 - 700

  • 82

    309 Alan Cotton [b.1936]Piemonte - Burnished Vines in Hazy Lightsigned bottom leftoil on canvas50.5 x 50.5cm.

    800 - 1200310 Alan Cotton [b.1936]Snowdonia IVsigned and dated 75 bottom rightfurther signed, inscribed and dated 1975 on the reverseoil on board24 x 34cm.

    200 - 300311Percy French [1854-1920]A croft on the coastsigned P French bottom leftoil on board20.5 x 28.5cm.

    500 - 700312Attributed to Edward Seago [1910-1974]Sketch for a gun siting, a landscapeinscribed on reverse in another hand, dating the sketch circa 1943pen, ink and watercolour9.5 x 14.5cm

    150 - 250313 Stuart Maxwell Armfield [1916-2000]Fin, Fur & Featherssigned bottom rightinscribed with title and artists address at 1666 House Studio, Looe, Cornwall on a label attached to the reversetempera on board50 x 75cm.

    400 - 600

    313

    312

    311

    310

    309

  • 83

    314Guy Cambier [c.1923-]The Fairgroundsigned bottom left oil on board21 x 26cm.

    200 - 300

    315A Moulton Foweraker [1873-1942]A farm at Chiseldon, near Swindon, figure in the foregroundsigned bottom leftwatercolour22.5 x 26.5cm

    250 - 350

    316 Arthur White [1865-1953]The New Inn Clovellysignedoil on board35 x 19cm.

    250 - 350317. No Lot.

  • 84

    318Alfred leyman [1856-1933]Exeter High Street and Guildhall after a shower of rainsignedwatercolour42 x 67cm.

    250 - 350

    319 Eric Richard Sturgeon [1920-1999]A Somerset Churchsignedwatercolour45 x 65cm.

    250 - 350

    320 James Frederick Adams [1914-1984] Kingswear on The Dartsignedwatercolour37 x 62cm.

    200 - 300

    321John Shapland [1865-1929]Exmouth signedwatercolour49 x 75cm

    250 - 350

  • 85

    322Fred Milner [1863-1939]Waves breaking on a rocky coastindistinctly signed bottom leftoil on board31 x 41cm, unframed,

    120 - 180

    323 Charles Knight [1901-1990] Elbury Covesignedwatercolour30.5 x 49cm.

    250 - 300

    324Herbert E. Butler [1861-1931]Polperro Harbour;The Coast at Polperro;The Old Bridge Polperro;a group of three pastel and mixed media drawingsall signedeach 18 x 26cm. [3]

    300 - 400325. No Lot.

  • 86

    326 James P Barraclough [1891-1942]Landscape with Farm;Birch Treestwo, both signed and dated 1928oils on boardeach 29 x 40cm. [2]

    300 - 500327Frederick R FitzGerald [c1897-1938]The Norwegian Coast at Grotsundsigned and dated 1910watercolour28 x 44.5cm.

    150 - 250328Stephen G. Williams Roscoe [b.1852]A tranquil river scene with a boy fishing by beached river bargessigned and dated 19 bottom leftwatercolour24 x 35cm

    400 - 600

    329Arthur Henry Enock [fl.1869-1912]Worcester Cathedral on the river Severn, an extensive viewsigned and dated 1885 bottom left, monogrammed bottom rightwatercolour48 x 73cm

    500 - 700

    329

    328

    327

    326

  • 87

    330Sidney Goodwin [1867-1944]Bristol Docks-signed and dated 19..? bottom rightwatercolour36 x 61cm.

    250 - 350

    331Rev John Swete [1752-1821]Clifton, seat of Sir Gervais Cliftoninscribed as titled and dated 1806watercolour16.5 x 23cm.

    50 - 70

    332Rev John Swete [1752-1821]In the garden of a cottage at Lynmouthinscribed on the reverse watercolour19 x 27cm.

    50 - 70

    333Attributed to Benjamin Williams Leader [1831-1923]An upland river landscape, figures and a cottage in the distancebears a signature B W Leaderoil on canvas39 x 60cm.

    400 - 600

  • 88

    334David W. Haddon [c.1884-1911]A Cornish Fishermansigned bottom left oil on board22.5 x 17cm

    200 - 300335George Perfect Harding [1775-1853]A nobleman, standing three-quarter length, holding a halberd and wearing a suit of gold brocade, a coat of arms to one sidesigned and dated 1808 bottom rightgouache18.5 x 14cm

    400 - 600336 Lena L Duncan Alexander [1899-1983]Portrait of a boy, head and shoulderssigned and dated 1941pastel drawing43 x 30cm.

    100 - 200

    334

    335

    336

  • 89

    337Attributed to John Varley [1778-1842]An extensive Neapolitan panorama, possibly the Royal Palace, Naples from Saint Lucia-watercolour heightened with white20 x 30cm.

    300 - 500

    338John MacWhirter [1839-1911]The Entrance to The Grand Canal, Venicesigned MacW bottom left oil on canvas48 x 72.5cm.

    400 - 600

    339 Maurice Den Donker [Belgian, 20th Century]Still life of a jug of flowerssigned and dated 1941oil on board45 x 37cm.

    100 150340. No Lot.

  • 90

    341 Maurice Den Donker [Belgian, 20th Century]Coxydesigned, inscribed and dated 1953 bottom leftoil on canvas44 x 64cm.

    * Notes. Coxyde [Koksijde] is a town, with a Military Cemetery, in Belgium on the North Sea coast in the province of West Flanders.

    200 - 300

    342 Maurice Den Donker [Belgian, 20th Century]Village in Luxembourgsignedoil on board37 x 45cm.

    200 - 300

    343 Rene Marie Dujardin [1913-2002]On the deck of the trawlersignedwatercolour46 x 54cm.

    100 - 200

  • 91

    344 Maurice Den Donker [Belgian, 20th Century]The Viaduct in Anderlechtsigned, further signed, inscribed and dated 1948 on the stretcheroil on canvas38 x 49cm.

    200 - 300

    345 Maurice Den Donker [Belgian, 20th Century]The Postmansigned and dated 58oil on board23 x 29cm.

    80 - 120

    346 Maurice Den Donker [Belgian, 20th Century]Le Moulin , Croxydesigned, further signed inscribed and dated 1958 on the reverseoil on board24 x 30cm, together with two other small oils by the same hand. [3]

    100 - 150

  • 92

    347Flora Stark [19/20th Century]Asolo, Veneto, Northern Italy, buildings in the foreground, view to a mountain pass beyondoil on board, 34 x 23.5cm, together with two other paintings of the local area. [3]

    250 - 350

    At the age of 18 Flora Stark married Robert Stark. They were a Bohemian couple and the parents of the adventurer and explorer Freya Madeleine Stark [1893-1993], who became Dame. The Starks lived on Dartmoor and later in the mountain town of Asolo the pearl of the province of Treviso in Italy.

    Provenance. Lots 347-349. Maria Stark, related to Flora Stark, and thence by family descent.

    348Flora Stark [19/20th Century]A North Italian town, possibly Ventimiglia or Asolo; A North Italian market, possibly Grimaldioils on boardtwo, each 28.5 x 19.5cm. [2]

    300 - 500

    349Flora Stark [19/20th Century]An Italian market, possibly Grimaldioil on board19.5 x 28.5cm.

    200 - 300

  • 93

    350 Fernand Houget [1883-1961, Belgian]A lowland waterway, windmill in the distance;Landscape with arched bridge in distancetwo, both signedoils on paneleach 21 x 16cm. [2]

    200 - 300

    351 Fernand Houget [1883-1961, Belgian]Sunlight in a pine forestsigned bottom right, inscribed and dated Oct 1908 on the reverseoil on panel31 x 40cm.

    100 - 150

    352 Fernand Houget [1883-1961, Belgian]The Grand canal, Venicesignedoil on board25 x 33cm.

    250 - 350353. No Lot.

  • 94

    354Edouard Vienot [b.1804]Portrait of a young lady, head and shoulders, wearing a white dress adorned with a rosesigned bottom rightoil on canvasoval, 71 x 57cm

    1000 - 1500

  • 95

    355Alois Binder [1857-1933]A roll of the dice, figures in a cellarsigned bottom rightoil on panel35 x 25.5cm

    300 - 500

    356European School 19th CenturyChildren and an artist on a grand stone doorstep; said to be Albrecht Durer watching Childrenwatercolour heightened with gum Arabic33.5 x 27.5cm.

    200 - 300

    357British School 19th centuryA proposition at the stileoil on board25 x 19.5cm.

    200 - 300358. No Lot.

  • 96

    359 Frank Brangwyn [1867-1956]Musiciansigned with a monogram centre topcharcoal and red chalk drawing36.5 x 27cm.

    250 - 350

    362 Carlton Alfred Smith [1853-1946]A young woman, bust-length, wearing a white cap and a wide ruffsigned with initials and dated 1888watercolour heightened with white32 x 23.5cm

    600 - 800363. No Lot.

    361 Beatrice Parsons [1870-1955]The Blue Fairysigned, watercolour13 x 8cm.

    80 - 120

    360 Frank Brangwyn [1867-1956]Labourersigned with a monogram bottom centrecharcoal and chalk drawing26.5 x 38cm

    250 - 350

  • 97

    364Henri Jaques Bource [1826-1899]The New Kittensigned and dated 1877 top left oil on canvas68 x 49cm.

    600 - 900

  • 98

    365Vincent Clare [1855-1930]Still life of cherries, strawberries and gooseberries on a mossy banksigned bottom rightwatercolour heightened with bodycolour21.5 x 30cm

    250 - 350

    366Mary Elizabeth Duffield [1819-1914]Still life with flowers, blossom and a birds nestsigned bottom leftwatercolour25.5 x 37.5cm

    400 - 600

    368Valentine Bartholomew [1799-1879]Still life of roses and foliagesigned and dated 1862 bottom rightwatercolour over pencil23.5 x 32cm

    250 - 350

    367William Henry Hunt [1790-1864]Still life of grapes and a peach on a banksigned bottom leftwatercolour17 x 22cm

    300 - 500

  • 99

    369John Atkinson Grimshaw [1836-1893]Still life with blossom and birds nest on a mossy banksigned bottom rightoil on board19 x 29cm

    3000 - 5000370Ellen Ladell [fl.1886-1898]Natures Beauty, still life of flowers, a birds nest and birds under a glass domesigned bottom leftoil on canvas46 x 35.5cm

    1800 - 2500Biography. Ellen Ladell was the wife of, and worked closely with, the still life painter Edward Ladell [1821-1886]. They lived in Colchester, Essex, and exhibited at the Royal Academy from 1856.

  • 100

    371English School 19th centuryMother and daughter in a neo-classical capricciooil on panel59 x 41.5cm, in a gilded and acanthus carved wood frame.

    1500 - 2000

    372Alexander Leggett [1828-1884]After Many Years, interior scene with a son returning to his familysigned and dated 1889further signed, inscribed with title and artists address at 3 Kings Place, Leeth Walk on the stretcheroil on canvas74 x 62cm.

    400 - 600

  • 101

    373William Dommersen [1850-1927, Dutch]Dutch street scene with people going about their work;and a companion piecea pairboth signed and dated 1880 bottom rightoils on canvaseach 24 x 29cm. [2]

    2000 - 3000

    374Follower of Sebastien Bourdon [17th/18th Century]The Holy Family with Saint Elizabeth and Saint John in an Arcadian landscapeoil on canvas53.5 x 65cm, unframed

    300 - 500

    374AAfter Raphael, Italian School [19/20th Century]The Archimedes Group from The School of Athens Frescooil on canvas49.5 x 61.5cm.

    250 - 350

    The Scuola Di Atene is one of the most famous frescoes by the Italian Renaissance artist Raphael. It was painted between 1509 and 1511 as a part of Raphaels commission to decorate the rooms now known as Staanza Di Raffaello in the Apostolic Palace in the Vatican. The School of Athens fresco represents Philosophy.

  • 102

    375English School 19th CenturyTravellers and farmers in a landscapeoil on canvas74 x 62cm.

    400 - 600

    376Follower of Thomas Hand [19th Century]Rural scene with farm in the foregroundoil on canvas42 x 33.5cm.

    200 - 300

    377D Muller [19/20th Century]Cattle watering in a lowland landscapesigned bottom rightoil on canvas34 x 59.5cm.

    250 - 350378E S England [19th/early 20th Century]Chickens in a farmyarda pair, both signedoils on canvaseach 25 x 39cm. [2]

    200 - 300379William Cruickshank [1848-1922]Birds nest on a mossy bank;Mallard duck in a lardertwo, both signedwatercolours on ivory,5.5 x 8.5cm & 6.5 x 8cm. [2]

    200 - 300

  • 103

    380William Collins [1788-1847]The Young Harvesters;A rest in the dunesa pair, both signedoils on canvaseach 24 x 29cm. [2]

    300 - 500

    381Arthur David McCormick [1860-1943]Wandering Minstrelssigned bottom rightwatercolour54 x 77cm

    600 - 800

    382Arnold Helcke [c.1865 - 1898] Unloading the Catchsigned and dated 1892 bottom leftfurther signed and inscribed Langham Chambers, Portland Place on the reverseoil on canvas50 x 100cm.

    500 - 700

  • 104

    383Nicholas Condy [1793-1857] Figures in a country cottage kitchen a woman preparing fish, seated man and dog at the firesidesigned and dated 1845 bottom rightoil on panel29 x 39.5cm.

    2000 - 3000

  • 105

    384Frank Moss Bennett [1874-1933]Their Valued Opinion; gentlemen in a salon interior, critically engaging a portrait painting-signed F.M. Bennett bottom rightoil on canvas56 x 86cm.

    8000 - 12000

    Biography. Frank Moss Bennett was born in Liverpool. He studied at St. Johns Wood Art School, The Slade and The Royal Academy Schools, where he won a gold medal and a travelling scholarship. He is best known for his out of period Elizabethan costume subjects most of which were reproduced and reached a very wide public audience. He exhibited at the Royal Academy from 1898-1928.

    385-386 No Lot

  • 106

    387Edward Bird [1772-1819]The Departure for London,interior scene with figures preparing for a sons departuresigned E. Bird R.A. bottom left of centreoil on panel61 x 90cm

    6000 - 8000

    Provenance. Exhibited at The Royal Academy in 1815, No.51.With the Fine Art Society, London.Private Devon Collection.

    Biography. An English genre artist, who spent most of his working life in Bristol, where the Bristol School of artists formed around him. He enjoyed a period of popularity in London, rivalling the dominance of David Wilkie in the field of genre painting, before moving to historical and battle scenes.He was born in Wolverhampton, the son of a carpenter. He had no formal art training, but developed his skills through apprenticeship as a japanning artist painting tea trays. Bird had a naturalistic style and his use of fresh colours, especially in his genre paintings, drew a large number of artists to his School, amongst them Rippingille and Francis Danby.He exhibited at the Royal Academy from 1809. Both the Prince Regent and Princess Charlotte were patrons of the artist.

  • 107

    388Victor Bachereau Reverchon [French 1842-1885]Off Duty; soldiers off duty in a grand hall interiorsigned V. Reverchon bottom rightoil on panel56 x 72cm.

    4000 - 6000

    Biography. Victor Reverchon was born in Les Batignolles, Paris. He studied under G. Deville and painted and exhibited a major series of still life and genre paintings between 1863 and 1885. His scene from the 1870 war Wounded Prussian soldiers treated in the Hall of Mirrors, Versailles, was shown at the Berlin Exhibition in 1871.

  • 108

    389George Turner [1843-1910]A highland scene, cattle watering in the foregroundsigned and dated Geo Turner 82 bottom rightoil on canvas57 x 75cm.

    250 - 350

    390Dutch School 19/20th CenturyFrozen canal sceneoil on panel44 x 71cm

    250 - 350

    391Joseph Thors [c.1863-1900]Forest of Fountainebleausigned bottom left, inscribed on the reverseoil on board21.5 x 39.5cm.

    200 - 300

    392.No Lot.

  • 109

    393Attributed to Samuel Prout [1782-1852]The Doges Palace and the Grand Canal, Venice; The Bridge of Sighs; together with four other topographical scenes-watercolour drawingssmall sizes ranging 5.5 x 3.5cm to 5.25 x 7cm. [6]

    250 - 350

  • 110

    394Johann Christian Vollerdt [1708-1769]A Rheineland landscape with cottage and figures beside a mountain streamsigned and dated 1752 bottom leftoil on panel39 x 53cm

    2000 - 3000

    395Attributed to Edward H. Niemann [19th Century]An upland rocky gorge, figure in the foreground, river valley belowsigned bottom left NIEMANNoil on canvas48 x 72.5cm

    1200 - 1800

  • 111

    396Johannes Jansen [1729-1784, Dutch School]An upland river landscape, cattle and sheep with a figure resting in the foreground, mountains beyondsigned and dated 1767 bottom rightoil on panel43.5 x 55.5cm

    4000 - 6000397-400. No Lots.

  • 112

    397Johann Bernard De Hoog [1867-1943]Peeling Vegetables; a cottage interior scene with a mother and a child in a cotsigned bottom rightoil on canvas30.5 x 41cm

    1200 - 1800

    398Alexander Rosell [1859-1922]A dining room interior; grandparents, a maid and child at a candlelit tablesignedoil on canvas52 x 73cm

    250 - 350

  • 113

    John Constable, R.A. [1776-1837]Ponies and donkey in a forest clearing

    oil on canvas24 x 36cm.

    Family Provenance

    To be included in our Fine Picture Sale on 6th October 2015.

    For further information about this painting or to enquire about including paintings in this sale, please refer to Dan Goddard and Martin Scadgell in the Picture Department.

  • 114

    Artist Index

    ARTIST Lot Nos.

    Adams (J. F.) 320

    Armfield (S. M.) 313

    ARTIST Lot Nos.

    Barraclough (J. P.) 326

    Bartholomew (V.) 368

    Bennett (F. M.) 384

    Binder (A.) 355

    Bird (E.) 387

    Bittar (P.) 307

    Blackburn (D.) 297

    Boswell (J.) 285

    Bource (H. J.) 364

    Brangwyn (F.) 359, 360

    Butler (H. E.) 324

    Cambier (G.) 314

    Cheepen (D.) 284

    Clare (V.) 365

    Collins (W.) 380

    Condy (N.) 383

    Cotton (A.) 309, 310

    Cruickshank (W) 379

    Csato (G.) 289

    Dommersen (W.) 373

    Donker (M. D.) 339, 341, 342, 344, 345, 346

    Duffield (M. E.) 366

    Dujardin (R. M.) 343

    Duncan Alexander (L. L.) 336

    England (E. S.) 378

    Enock (A. H.) 329

    Fitzgerald (F. R.) 327

    Foweraker (A. M.) 315

    French (P.) 311

    Frink, Dame (E.) 292, 293

    Frost, Sir (T) 286

    Giordani (N.) 304

    Goodwin (S.) 330

    Gorman (M.) 274, 275, 308

    Grimshaw (J. A.) 369

    Gross (A.) 295

    ARTIST Lot Nos.

    Haddon (D. W.) 334

    Harding (G. P.) 335

    Hedley (P.) 276

    Helcke (A.) 382

    Hoog, De (J. B.) 397

    Hougot (F.) 350, 351, 352

    Hunt (W. H.) 367

    Jansen (J.) 396

    Klein (A.) 296

    Knight (C.) 323

    Ladell (E.) 370

    Leggett (A.) 372

    Leyman (A.) 318

    MacWhirter (J.) 338

    Maile (B.) 305

    McCormick (A. D.) 381

    Milner (F.) 322

    Muller (D.) 377

    Parsons (B.) 361

    Piper (J.) 302

    Plumb (J.) 290, 291

    Reverchon (V. B.) 388

    Rosell (A.) 398

    Shapland (J.) 321

    Shariffe (H.) 298

    Smith (C. A.) 362

    Spear (R.) 279

    Sprague (E.) 278

    Stark (F.) 347, 348, 349

    Sturgeon (E.) 319

    Swete (Rev. J.) 331, 332

    Thors (J.) 391

    Turner (G.) 389

    Van Cleef (R.) 281, 282, 283

    Vienot (E.) 354

    Vollerdt (J. C.) 394

    White (A.) 316

    Williams Roscoe (S. G.) 328

    Worth (L. C.) 293, 294

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